A full production pipeline,
one artist at the controls.
INKX is a studio-grade AI filmmaking suite: five instruments that carry a project from first frame to finished shot, built by a working filmmaker and proven on real productions. Every tool runs as a single file on an ordinary machine — no render farm, no crew of forty.
FRAMES
A node-based keyframe generator. Lock a character's face, wardrobe, pose and light once, then build every shot on that identity — with relight, weather, face-conform and upscale passes chained non-destructively. The same person shows up in shot 80 as in shot 1.
I2V Cinema
Turns keyframes into cinematic motion. Choose a DP and the tool writes the camera the way that operator would shoot it; direct the performance separately. Runs the leading video models side by side and knows what each one can and can't do.
Storyboards
Script to boards with blocking, shot sizes and angles surveyed from a single composition — so the coverage plan is a set of real images, not stick figures, before a frame is shot.
VFX
Video-to-video restyling anchored to one approved look, plus skin, relighting and clean-up passes — the finishing work that used to need a vendor, done in the same chair as the edit.
Intelligent Budgeting
Reads the breakdown and prices the picture — what the pipeline replaces, what stays practical, and what the difference is worth. A budget that understands the tools it's budgeting for.
Thirty years behind the camera.
Brian T. Jaynes has spent more than three decades in commercial production, visual effects, music video, film and television, and publishing — as director, cinematographer, photographer, writer and editor.
He built INKX because the pictures he wanted to make had outgrown the budgets available to make them, and the tools to close that gap didn't exist yet.
He lives in Texas with his twin teenage sons.